Our podcast is back to dropping weekly episodes every Friday!
Glad to finally share these, just click on the logo above for the first episode in a long time.
What's up
Our podcast is back to dropping weekly episodes every Friday!
Glad to finally share these, just click on the logo above for the first episode in a long time.
I’m excited to get on board with a new manager and remuster the forces of my agency.
Together we form a team of kinda strangers/now coworkers dedicated to finding the markets for my strange art and achieving artistic and financial bliss by helping people transcend their lives into new understanding of themselves, their world, and life itself.
An exciting mission, no doubt.
I’m proud to say I’ve still got some of these animations in the works, and that I’ve put out 10 episodes now!
The excessive talent in my guests here is the real highlight, and this whole thing has lent me a reason to be back in touch with people that I’ve missed since we’ve been socially distancing.
I’m looking forward to doing more, and learning more from the program I’m using. It’s only getting easier to navigate, so let’s hope that shows!
Check out the series on Youtube HERE
Or on Instagram @creature_comforts_resort
Did a lil spot for High Sierra Music Festival. Quick turnaround! Looks like an amazing lineup!
This is me experiencing a little bit of impostor syndrome, which, I imagine is an experience many first time panelists have gone through.
These are my questions to myself:
What do I have to offer to the world of content creation?
How am I sitting at the same table as a prolific, hilarious comedian?
And a professional YouTube cook?
And a professional musician who has built this amazing studio?
And that representative from a quality mic company?
To ignore these self doubts I focused on the questions posed and tried to add in any new insight if my fellow panelists had covered my sentiments thoroughly. My wife has done a panel before and said this is just how it goes - you hope that someone hasn’t already said what you’re going to say.
That happened plenty, yet I still managed to say something slightly different here and there, and that might be of value to someone looking to make things. To be clear, I have nowhere near the metrics of my fellow panelists.
But one question that I thought was interesting was essentially - how has your content creation changed?
How have I adapted? I honestly don’t think I have very well yet. My answer was that I am thinking of shorter form content. Which is why you’ve seen a couple of animations on my page recently. I’m looking to make more of those. They’re fairly easy to make happen, and I can make them all on my own.
So look forward to that! If you have any ideas for me for animations, I’m game.
‘A descent into the male psyche-in-crisis. A linguistic immersive experience entirely lit by headlamps.’
Come join me in the darkness as me and four other dudes sling out Appalachian slang as we spiral into madness.
I’m jumping into the fun for three of the seven performances - 6/14, 6/15, and 6/18
Get yet tix here - https://www.hollywoodfringe.org/projects/5921
See you in the cold dark ground.
Last year I ran into a consistently annoying problem. How do I record a VO audition/audiobook/podcast if I have to stop recording and wait for the sound of a passing plane, large truck, motorcycle, church bell, school bell, water pipes, computer fan, or friendly cricket?
Solution - build a small room where no sound can enter or leave. Having never really built anything, I decided to do some research and planning to make sure that if I'm spending a good amount of money, I do it right. I scoured the internet for pictures, videos, and forum threads that dealt with the various stages of building this giant recording box.
If you're at all thinking of this I recommend these forums to get a sense of the work ahead of you/plethora of problems that will arise:
www.gearslutz.com
www.soundonsound.com
www.homerecording.com
There are a few senior forum members that everyone listens to. Rod Gervais is one of those members who not only offers advice frequently, but also has a book about this very thing. If only I had bought it at the beginning of my planning and design, it would have saved me time. Many people echo this sentiment on the forums.
The planning took me the better part of January and February. The building took me most of my free time in March and part of April.
Home Depot and Baller Hardware sold me most of the building materials, the other stuff (like fans, window glass) I got online.
Now, for the most part, it's done. There are still a few tweaks that need to be made, but when a helicopter passes overhead or a leaf-blower passes next door, I don't hear it, so I can focus on my performance.
It wasn't possible without Rod Gervais' book and the help of many friends - Matthew Watterson for his viking strength and know how (and drill), Brian Nichols for his carpentry expertise, David Graziano for his sage advice and the loan of woodworking tools, and my fiance for many hearty home cooked meals.
What you're looking at is this - A ventilated room with a double pane tempered/laminated 1/2'' glass window. The walls are built with staggered studs for decoupling, a 1/2'' ply outer sheath, 3'' Roxul Safe N Sound Insulation, with two layers of 5/8'' drywall on the inner wall that are separated by a layer of Green Glue. The floor is plywood on a concrete slab, with Flor carpet tiles on top (I plan to add a rubber underlay later when budget allows). The ceiling is built much like the walls, except that I used chicken wire to secure the insulation.
For room treatments I built a panel resonator into the corner, and attached acoustic foam to most of the corners and wall. I'll probably continue to tweak this as I find what sounds best for recording.
I built a small shelf on the panel resonator to attach my scissor arm mic stand, and a fold out table for the podcast mic. The booth comfortably seats two people, and stays cool even with temperatures of 80-90 degrees outside.
The Escape Pod is now open for business.
I went to this - Pacific Playwrights Festival at South Coast Rep.
All of this is made possible to me through the hard work and good graces of my wonderful girlfriend Bekah, who has a play being read at the festival.
It's about heaven and is called 'Going to A Place Where You Already Are'. The audience laughed heartily and softly cried about dying and the afterlife, which - for such a touchy subject - doesn't seem like an easy thing to do. It asks a big question, all while wrapped in a big blanket of optimism, and is peppered with sneak attacks of humor.
Another favorite was 'Vietgone', by Qui Nyugen. This is a hilarious love story told with a modern voice about refugees in the US after the Vietnam war. It turns Americans into stock stereotypes, has a Mortal Kombat slow motion fight, and uses hip hop verses for cathartic moments.
Plays can be so good, and they're where I started out, so all this has made me want to jump back in.
On that note - coming up soon I'll be performing in an FPLA staged reading on May 19th.
Headshots are usually an actor's first introduction to possible work.
I've taken quite a few over the years and have looked analytically at just as many.
I just took new ones to commemorate the successful conquest of my face by a majestic beard.
Here are the looks (and accompanying inner monologue) I went with this year -
I have a secret
I have to fart
My secret is I have to fart
Now it's not a secret anymore
That's funny, so I'll laugh, because laughing makes you have a natural smile
I'm overthinking this, and now judging myself (aka eyes half open, sneering mouth, very unsightly)
Let's get back on track - I am worth millions of dollars
You are my competition and I will crush you
That was so arrogant I'm sorry
Who are you talking to? They can't hear your thoughts
Unless I write them on my blog. Should I write them on my blog?
What's happening? Oh right, headshots
That was funny, right? That I got off track? I'll laugh again, quite naturally this time
Who am I?
You're supposed to know that before coming in here!
Ooh, that's good - existential crisis
No...maybe I'll turn my face slightly to the left
Nailed it
No really that felt really good
Congrats everyone that's a wrap
I'm trying to really lean into my inner monologues. Like a well crafted story, you can see that my thoughts come full circle (spiral?). On this journey the signposts are fake/real laughing and the destination is Natural Looksville. Population : Everyone else but me.
I took them with the gentlemanliest of gentlemen - Morgan Demeter.
Here's his website - http://morgandemeter.com/
For now enjoy this picture by makeup artist Bridget Clarke.
This conceptual beard is pretty close to the real thing. Imagine this, but bigger. And without the dirt on my face (this was for a post-apocalyptic web series that all actors are required to create).
I have sworn fealty to the comedy kingdom of iO West.
I'm very excited to be performing on a sketch team once a month at the Del Close Theater.
Our shows are every second Sunday at 7:30 pm.
I am resisting the urge to say something terribly funny here because I'm saving it for the shows.
I'm now repped by the Rogers Orion Agency.
We talked over email about making some noise, and here's a gif he sent me.
So...have your people talk to my people?